Another thing that impressed me was how easily and how differently the women (and men) reached their high notes. The sound wasn’t forced or raspy or breathy. The transition from low to high notes was very natural, and I doubt they were concentrating on controlling their diaphragm and breath like most “professional” singers do. In comparison, I feel that the Mongolian singers really demonstrate what singing really is; a form of expression, communication and understanding through sound. Their tone is untainted by the mechanics of “professionals” but emanate from their soul.

这是一段关于内蒙歌手的英文，不难懂，但要翻成贴切有水准的中文并不容易。请各位高手大显神通，帮帮忙，先谢了！

另一个使我印象深刻的是不论男女，他们唱高音时的轻而易举和那独特的方式。不需声嘶力竭，没有气喘吁吁，从低音到高音的过渡是那么自然，真让我觉得他们控制腹肌和运气的功夫与专业歌手不相上下。相比之下，我感觉蒙古歌手真正体现了歌唱的真谛，那通过声音表达的沟通和理解。没有专业歌手那样的刻意修饰，歌声发自他们心灵深处。